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Norwegian Wood is a song written and sung by John Lennon, released on the Rubber Soul album in 1965. This track is generally credited as being the first pop recording to use the sitar, an Indian stringed instrument. "Norwegian Wood" sparked a musical craze for the sound of the novel instrument in the mid-Sixties. The song is now acknowledged as one of the cornerstones of what is now usually called "world music" and it was a major landmark in the trend towards incorporating non-Western musical influences into Western popular music.
Featured AlbumPlease Please Me is the first official studio album by The Beatles. It was released on March 22, 1963 and became a number one hit on the same year in the United Kingdom. In 2003, Rolling Stone ranked the album number 39 on its list of Rolling Stone's 500 Greatest Albums of All Time.
In the United States, many of the songs on the album were first issued on Vee-Jay Records' Introducing...The Beatles in 1964, and then subsequently on Capitol Records' The Early Beatles in 1965. In a review, the All Music Guide says "Decades after its release, the album still sounds fresh, precisely because of its intense origins."
I Saw Her Standing There is a song written by John Lennon and Paul McCartney, and is the opening track on the Beatles' debut album, Please Please Me, the United Kingdom by Parlophone on March 22, 1963.
In December 1963, Capitol Records released the song in the United States as the B-side on the label's first single by the Beatles, "I Want to Hold Your Hand". While the A-side topped the US Billboard charts for seven weeks starting January 18, 1964, "I Saw Her Standing There" entered the Billboard Hot 100 on February 8, 1964, remaining there for 11 weeks, peaking at #14. The song placed on the Cashbox charts for only one week at #100 on the same day of its Billboard debut. In 2004, "I Saw Her Standing There" was ranked #139 on Rolling Stone's list of the 500 Greatest Songs of All Time.
Did You Know...
The BeatlesThe Beatles have. They were one of the best things to happen in the twentieth century, let alone the Sixties. They were youth personified. They were unmatched innovators who were bigger than both Jesus and rock & roll itself: During the week of April 4, 1964, the Beatles held the first five slots on the Billboard Singles chart; they went on to sell more than a billion records; and 2000's 1 , a compilation of the Beatles Number One hits, hit Number One in 35 countries and went on to become the best-selling album of the 2000s.
Every record was a shock when it came out. Compared to rabid R&B evangelists like the Rolling Stones, the Beatles arrived sounding like nothing else. They had already absorbed Buddy Holly, the Everly Brothers and Chuck Berry, but they were also writing their own songs. They made writing your own material expected, rather than exceptional. As musicians, the Beatles proved that rock & roll could embrace a limitless variety of harmonies, structures, and sounds; virtually every rock experiment has some precedent on Beatles records. As a unit the Beatles were a synergistic combination: Paul McCartney's melodic bass lines, Ringo Starr's slaphappy no-rolls drumming, George Harrison's rockabilly-style guitar leads, John Lennon's assertive rhythm guitar — and their four fervent voices. As personalities, they defined and incarnated Sixties style: smart, idealistic, playful, irreverent, eclectic. Their music, from the not-so-simple love songs they started with to their later perfectionistic studio extravaganzas, set new standards for both commercial and artistic success in pop.
"Somebody said to me, 'But the Beatles were anti-materialistic.' That's a huge myth. John and I literally used to sit down and say, 'Now, let's write a swimming pool.' " - Paul McCartney
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