|This page uses Creative Commons Licensed content from Wikipedia (view authors).|
|As there are far too many pages of this type, this page must be edited to be original at the earliest possible moment.|
|This tag must not be removed until the rewrite is done — doing so is a (possibly criminal) violation of Wikipedia's copyright.|
Lennon said he was "trying to do Smokey Robinson again," and Ian MacDonald compared it to "You Can Depend on Me" by the Miracles, both musically and lyrically. Richie Unterberger of Allmusic said it sounds like Robinson but also Arthur Alexander. Beatles biographer Bob Spitz said the song is "restlessly dark and moody", and compared it to The Shirelles' "Baby It's You" (a song The Beatles previously covered) and early Drifters recordings.
It was one of three songs Lennon wrote solo for With The Beatles, with "It Won't Be Long" and "Not a Second Time". Lennon said that it was written specifically for the American market; the idea of calling a girl on the telephone was unthinkable to a British youth in the early 1960s. For instance, Lennon said in an interview regarding "No Reply": "I had the image of walking down the street and seeing her silhouetted in the window and not answering the 'phone, although I have never called a girl on the 'phone in my life! Because 'phones weren't part of the English child's life."
The Beatles recorded the song in a single recording session on 11 September 1963 in 14 takes with one overdub, take 15. The master take was take 15. It was mixed for mono on 30 September and for stereo on 29 October.
Although music journalist Steve Turner claims the song was written in 1961, MacDonald said the song was never in the Beatles' live repertoire, and that explains why 8 of the 14 takes were incomplete: the band was unfamiliar with the song.
Musicologist Alan W. Pollack suggests that the hummed fade-out verse is more than just a convenient way to make the ending different. He says, "[I]t rather effectively drives home the underlying self-satisfied subtext of the lyrics; to the extent that some things in life, such as the comfortable equilibrium of a relationship [defy] adequate expression in words."
In the UK, "All I've Got to Do" was released on With The Beatles which also includes the Beatles' cover of "You Really Got a Hold on Me" by the Miracles, the most direct connection between the album and Robinson's music. In the US, Capitol Records pulled "You've Really Got a Hold on Me" off Meet the Beatles!, releasing it later on The Beatles' Second Album.
- John Lennon – lead vocals, rhythm guitar (1958 Rickenbacker 325)
- Paul McCartney – backing vocal, bass guitar (1961 Hofner 500/1)
- George Harrison – backing vocal, lead guitar (1962 Gretsch 6122 Country Gentleman)
- Ringo Starr – drums
- Personnel per Ian MacDonald
Cover versions Edit
- In 2007, The Smithereens covered "All I've Got to Do"-and all the other songs on Meet the Beatles!-on their tribute album Meet the Smithereens!.
- Toxic Audio covered in on Come Together: An A Capella Tribute to The Beatles.
- Moon Martin recorded it on Shots from a Cold Nightmare (1979) with Phil Seymour on drums and harmony.
- Ian McNabb and Thomas McConnell covered it on Mojo: We're With The Beatles (2013).
<ref>tags exist, but no
<references/>tag was found